当不同类型的知识和实践相遇时，它们会相互丰富。这本书反映了耶路撒冷不同进程的这次会议。这些贡献试图挑战当代艺术和民族志之间、传统、保存和表现之间的明显区别，编辑们称之为“当代民族志”，民族志和当代艺术之间的界限模糊了。
这本书的思想是在当地背景下发展起来的，其中包括占有和剥夺行为之间的紧张关系。这是一个关于犹太民族志与以色列当代艺术、学术研究与艺术研究之间关系的艺术研究项目的成果。本书的贡献旨在反映、扩展和解释当代及以后博物馆研究和创作实验方法的发展过程。
Possession and Dispossession: Performing Jewish Ethnography in Jerusalem
When different types of knowledge and practice meet, they enrich each other. The book reflects on this meeting of divergent processes in Jerusalem. The contributions attempt to challenge the apparent division between contemporary art and ethnography, between tradition, preservation and representation, in an approach the editors call “contemporary ethnography,” where the borders between ethnography and contemporary art are blurred.
The idea of the book developed in a local context, among the tensions between practices of possession and dispossession. It results from an art-research project on the relationship between Jewish ethnography and Israeli contemporary art, between academic research and art research. The contributions of this volume aim to reflect, expand, and interpret the process that develops experimental methods of research and creation at the Museum of the Contemporary and beyond.
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