空间是雕塑创作中的一个形成因素。现象学思想将雕塑作品与观众的身临其境体验联系起来，将其置于环境中。但在这种单一立场之外还有什么可能性呢？雕塑品的政治潜力是什么？它的空间关系和运动如何在其直接环境之外重新配置？
雕塑的空间政治从多维的角度研究空间的概念及其在雕塑形式生产中的作用。通过克劳斯、弗里德、梅洛·波尼、德勒兹和瓜塔里的作品，以及巴黎、纽约和首尔的城市发展案例研究，它从空间的政治动态角度重新解释和颠覆了雕塑形式，提出了一种阅读、制作和扩展雕塑实践的新方法。它借鉴大卫·哈维的资本理论，审视了城市化进程中的空间概念。它考察了资本流动和积累之间的相互关系，并探讨了与三维艺术作品创作有关的空间的生产和破坏。通过这样做，它扩展了雕塑对象与城市环境的关系。
The Spatial Politics of the Sculptural: Art, Capitalism and the Urban Space
Space is a formative factor in the production of sculpture. Phenomenological thought interprets sculptural work in relation to the immersive experience of the viewer, situating it within its environment. But what possibilities lie beyond this unitary position? What is the political potential of a sculptural object? How can its spatial relations and movements be reconfigured beyond its immediate environment?
Spatial Politics of the Sculptural investigates the concept of space and its role in the production of the sculptural form from a multidimensional perspective. Engaging with the work of Krauss, Fried, Merleau-Pony, Deleuze and Guattari, and using case studies of urban development in Paris, New York and Seoul it reinterprets and dislocates the sculptural form in terms of the political dynamism of space proposing a new methodology for reading, producing and expanding sculptural practice. Drawing on David Harvey’s theory of capital, it scrutinizes the idea of the spatial in the process of urbanization. It examines the interrelationship between capital flow and accumulation, and explores the production and destruction of space in relation to the creation of three-dimensional works of art. In doing so, it expands the idea of the sculptural object in relation to the urban environment.
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