世界电影中的明星:跨文化的屏幕图标和明星系统

世界电影中的明星:跨文化的屏幕图标和明星系统

世界电影中的明星:跨文化的屏幕图标和明星系统
通过将明星研究与世界电影结合起来,世界电影明星转移了人们对好莱坞的注意力,填补了电影研究的一个重要空白。这里的一个国际学者团队将他们对世界文化和电影的专业知识和深入知识带到六大洲明星和明星的研究中,探索他们的文化、当地历史和全球相关性。本章介绍了表演、音乐、歌唱、绘画和武术在制作澳大利亚土著居民、奥地利、中国、埃及、法国、德国、希腊、印度、伊朗、日本、朝鲜和韩国、尼日利亚、菲律宾、前苏联、西班牙、北美洲和南美洲明星中的作用。
从电影诞生之初起,演员和明星就一直是其历史的核心,并一直是该媒介的定义特征之一。它们也是电影营销的基础,在许多文化中对电影的接受起到了重要作用。《世界电影之星》考察了明星身份和明星在世界各地的传播,分析了当地的明星系统或非系统是如何在世界各地构建明星身份的。贡献者实践他们的历史知识、语言和文化系统,考虑混杂、边界交叉、星际流动和体现的旁观者的问题,以便进一步了解星在最近对接受理论的兴趣。
植根于多学科和多中心的方法,这本书揭示了来自世界不同地区的明星和明星之间意想不到的联系,跨越了年代、地理和电影史。
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Stars in World Cinema: Screen Icons and Star Systems Across Cultures
Deflecting the attention from Hollywood, Stars in World Cinema fills an important gap in the study of film by bringing together Star Studies and World Cinema. A team of international scholars here bring their expertise and in-depth knowledge of world cultures and cinema to the study of stars and stardom from six continents, exploring their cultures, their local history and their global relevance. Chapters look at the role of acting, music, singing, painting and martial arts in the making of stars from Australia’s indigenous population, Austria, China, Egypt, France, Germany, Greece, India, Iran, Japan, North and South Korea, Nigeria, the Philippines, the former Soviet Union, Spain, North and South America.
Since the very beginnings of cinema, actors and stars have been central to its history and have been one of the medium’s defining characteristics. They have also been fundamental to the marketing of cinema and have played a major part in the reception of films in many cultures. Stars in World Cinema examines stardom and the circulation of stars across borders, analysing how local star systems or non-systems construct stardom around the world. Contributors put into practice their local knowledge of history, language and cultural systems, to consider issues of hybridity, boundary crossing, the mobility of stardom, and embodied spectatorship, in order to further the understanding of stars in light the of recent interest in reception theory.
Rooted in a multidisciplinary and polycentric approach, this book throws light on unexpected connections between stars and stardoms from different parts of the world, cutting across chronology, geographies and film history.
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