从马克·博兰到纽约玩偶，这是一部关于1972年关键年份伦敦摇滚场景的肮脏、霓虹灯和油脂填充的纪事。
埃尔维斯、埃迪、查克、吉恩、巴迪和小理查德是最初的摇滚歌手。迪伦，披头士乐队，石头乐队，以及摇滚乐队的第二次到来。随着20世纪60年代进入70年代，关键问题是谁将领导摇滚乐的第三代？
在这关键的一年里，《1972年别针》追踪了伦敦的音乐场景，所有的Soho都是肮脏的、霓虹灯、油脂和皮革。它始于地下世界的解体和马克·博兰的成功。T.Rextasy是卢·里德和伊吉·波普的英国流亡以及他们与大卫·鲍伊合作的背景。这一年，鲍伊成为明星，重新定义了青少年荒原。在他之后，罗克西音乐和纽约玩偶，未来时态摇滚复兴者。鲍伊、博兰、伊吉、卢、罗克西和新一代的玩偶别针。
Pin-Ups 1972: Third Generation Rock ’n’ Roll
A sleazy, neon- and grease-stuffed chronicle of London’s rock scene during the pivotal year of 1972—from Marc Bolan to the New York Dolls.
Elvis, Eddie, Chuck, Gene, Buddy, and Little Richard were the original rockers. Dylan, the Beatles, the Stones, and the Who formed rock’s second coming. As the 1960s turned into the 1970s, the crucial question was who would lead rock ’n’ roll’s third generation?
Pin-Ups 1972 tracks the London music scene during this pivotal year, all Soho sleaze, neon, grease, and leather. It begins with the dissolution of the underground and the chart success of Marc Bolan. T. Rextasy formed the backdrop to Lou Reed and Iggy Pop’s British exile and their collaborations with David Bowie. This was the year Bowie became a star and redefined the teenage wasteland. In his wake followed Roxy Music and the New York Dolls, future-tense rock ’n’ roll revivalists. Bowie, Bolan, Iggy, Lou, Roxy, and the Dolls—pin-ups for a new generation.
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