工作室环境可以定义为多维度的综合制作空间，在这里进行基本的设计培训，讨论设计问题，包括社会学、政治学、现象学和其他维度等理论概念。文学和社交媒体中关于这一主题的现有方法让学生有理由评估他们未来的职业，而不是本体论和过程方法。虽然有很多关于室内空间美学和视觉的现有方法的可用资源，但关于室内建筑的新设计方法、相关设计过程和新应用方法的研究并不多。基于不同的背景，这些设计实践方法有可能丰富设计过程，并在项目工作室以及其他设计媒体中创建多个讨论平台。这些不同的表现和叙述方法可以有效地应用于室内建筑的研究中。《室内建筑设计和生产实践方法研究手册》提出了新的设计方法和相关设计流程，并介绍了新的应用方法，同时介绍了室内建筑领域设计工作室使用的替代方法。本章涉及四个主要部分：设计过程和跨学科方法；然后是场景开发和内容；其次是材料、质地和氛围；并以新的设计方法结束。在强调空间感知、设计策略、建筑氛围和设计思维等主题的同时，这本书对建筑师、室内设计师、从业者、利益相关者、研究人员、院士和学生很感兴趣，他们希望对室内建筑的新设计方法和流程进行深入研究。
Handbook of Research on Methodologies for Design and Production Practices in Interior Architecture
Studio environments can be defined as multi-dimensional integrated production spaces where basic design trainings take place and where design issues including theoretical notions such as sociological, political, phenomenological, and other dimensions are discussed. Present approaches within the literature and social media on this topic gives cause for students to evaluate their future professions over finished and pictorial products rather than ontological and processual means. While there are many resources available on the present approaches of aesthetics and visuality of interior spaces, there is not much research available on new design methodologies, related design processes, and new applied methods in interior arcitecture. Based on different contexts, these methods of design practice have the potential to enrich design processes and create multiple discussion platforms within project studios as well as other design media. These different representations and narration methods for research in the context of interior architecture can be effectively used in design processes. The Handbook of Research on Methodologies for Design and Production Practices in Interior Architecture proposes new design methodologies and related design processes and introduces new applied method approaches while presenting alternative methods that have been used within design studios in the field of interior architecture. The chapters deal with four major sections: the design process and interdiciplinary approaches; then scenario development and content; followed by material, texture, and atmosphere; and concluding with new approaches to design. While highlighting topics such as spatial perception, design strategies, architectural atmosphere, and design-thinking, this book is of interest to architects, interior designers, practitioners, stakeholders, researchers, academicians, and students looking for advanced research on the new design metholodologies and processes for interior architecture.
OR
